While Carrey was a complete and utter imposition to the film’s director, Miloš Forman, and everybody else on set, including Danny DeVito, his transformation (or obsession) was a unique, transformative experience for Carrey, who had been sick of fame and acting before he took on this gig. Jim & Andy is the result of 100 hours of behind-the-scenes footage shot at the Man on the Moon set, which was withheld for 20 years over fears of Universal Studios that people would think Carrey was an a**hole. When he got the role, a role of a lifetime, Carrey decided to honor Kaufmann’s legacy by transforming into him (and his alter ego Tony Clifton) and, in true method-acting fashion, never to leave character. Rightly award-winning, this is gripping stuff even if you’re not into sports!Īfter his first serious role in The Truman Show in 1998, Jim Carrey got a shot at playing his idol, the late comedian and performance artist Andy Kaufmann, in Man on the Moon in 1999. As the plot thickens, one can’t help but think that Fogel too is in over his head. Putin is obviously not amused.Īside from all the madness that unfolds in this Netflix production, it’s Rodchenkov’s likeable and eccentric personality that makes the story more relatable and human as well as giving you a rare glimpse into the upper echelons of a country like Russia. Little did he know that his Russian acquaintance would transform Fogel film from a self-experiment documentary into a true-crime political thriller, when the scientist admits to being involved in a state-sponsored doping scheme of epic proportions on camera. Rodchenkov eagerly agrees to help him out. He starts off by reaching out to experts to help him with obtaining and administering said drugs, one of which points him towards Russian scientist Grigory Rodchenkov, the director of Russia’s national anti-doping laboratory. Director Bryan Fogel, who you might know as the guy behind Jewtopia, initially set out to chronicle his exploration of doping to win an amateur cycling race.
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Funny and warm, with just the right splash of realism, Alice Doesn't Live Here Anymore is the kind of character-driven comedy-drama they just don't make anymore. Along the way, she takes odd jobs, meets men of varying moral quality, and gradually becomes a more self-actualized human being. Ellen Burstyn stars as Alice, a working-class mother whose husband dies suddenly, prompting her to take her precocious son on a road trip to start the next chapter of her life. Conversations with friends, family, and those that worked with Simone professionally round out the documentary, each contributor adding a new layer of Nina, a complicated but enduring individual with a calling that never ceased, and a talent like no other.Kris Kristofferson and Ellen Burstyn in 'Alice Doesn't Live Here Anymore'.įor those who think Martin Scorsese only makes films about masculinity and gangsters, this underrated classic is strong evidence to the contrary. Liz Garbus’ film is an introspective journey into the always-racing mind of an artistic genius, and a black woman who desperately wanted black voices to be heard and understood the world over. Plagued by racism from an early age, Simone’s rise to stardom served as a platform for the activism that would define much of her career. What Happened, Miss Simone? explores the life of prolific singer-songwriter and pianist, Nina Simone, through recollections composed of archived interviews, photographs, commentaries, musical performances, and journal entries. Mudbound is illuminating in more ways than one, an epic racial drama led by a master class of actors that all own their roles. But under the flora is loud and vibrant cinematography that enhances our connection with both families, one white and one black. Rees and Morrison were after a kind of camera work that reflected the feeling of the American Dream, and so we get beauty in shades. What’s to truly savor in Rees’ masterful period drama is Morrison’s language of framing. They return home, Jamie with newfound trauma, and Ronsel to a country that looks down at him for the color of his skin, regardless of his valor. These are Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell), two boys who leave a world of racism and other struggles behind. A respective son from each family goes off to war. The expertly lensed Mudbound - written and directed by Dee Rees and photographed by Rachel Morrison - explores the personal, economic, and racial tensions of two rural families living by way of the land in World War II-era Mississippi. What is also apparent is that there is still hope for fundamental change, a message echoed by the film’s ensemble of progressively minded confiders, figures both left- and right-leaning. The film can be difficult to watch, but DuVernay’s grim realizations are made to be blatant. Over the course of the film, DuVernay and many activists, lawmakers, and academics unfold decade after decade of politically motivated legislation, and the lobbyists often behind these laws, that have led not only to the privatization of the American prison system but also to the staggeringly disproportionate incarceration of millions of African American men and women. But you don’t.” Ava DuVernay’s eye-opening, at times harrowing, 13th is a pivotal documentary that explores the centuries-old criminalization of disenfranchised African American communities, but by way of tracing the steps of American racism to its very roots. “If you’re in the prison business, you don’t want reform. Download Mobile Legends Bang Bang for Android.Download Adobe Flash Player for Windows. Unzip / extract the archive you downloaded, and put it somewhere you can find it easily.(More technical users could use FTP, but we won't cover that here.)įirst, download the latest patch files from. It's best to use a computer to do this, such as a Windows/Linux PC, Mac, or Chromebook, along with an SD card reader. Now that you have configured Luma3DS, it's time to copy the Kaeru Gallery patch files. Press the START button to save and continue booting. If it isn't enabled (indicated by (x) beside it), press the A button to enable it. Press the down arrow on the directional pad ( ↓) until 'Enable game patching' is highlighted, as shown. To access Luma3DS settings, hold the SELECT button while turning your console on. Once you have installed Luma3DS, you need to enable its "game patching" feature. Once you've done that, return back here to continue with Kaeru Gallery setup. It is widely regarded by the homebrew community as the definitive guide to 3DS homebrew setup, and is written to be clear and simple. A website called 3DS Hacks Guide (opens in new tab) will take you through the process. Because of security measures on the 3DS console this can only be done after installing custom firmware patches from a project called Luma3DS.Īlthough it may seem difficult to set up, the process is now very easy and safe. To instruct Flipnote Studio 3D to connect to the Kaeru Gallery server, we must apply a patch to change the server address. Follow our instructions under the 'Cleaning up pirated versions' section. Note: If you have previously installed a pirated copy, before replacing it with a legitimate version of Flipnote Studio 3D you'll need to remove it completely from your system, including its fake tickets. From a young age, he felt out of place and struggled with his se*uality, unsure of how to share his feelings with others. Join Gay B*llyĪbout This Gay AI Chatbot: Softie, a gentle soul with a heart full of love, was born into a loving family in a small town. Represents the complexity of human emotions, balancing aggression with sensitivity and a longing for connection. 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From hobbies, venting, support, music and politics. From sexuality to gaming! Engaging Text Rooms. A place for you to be yourself freely and meet other cool people who feel the same way! ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Here we offer: Self Assignable Roles. The world is cruel enough, we want this place to be a refuge from that. Of course there are general rules but these should not feel too restrictive and while we do want to be quite liberal in our attitudes towards language and humour, bullying of any kind will not be tolerated. So people can socialise freely and without having to censor themselves. This principle of free-speech but not freedom from consequence, is so important to me. It can feel so restrictive! Sure, we will never allow blatant racism, sexism, transphobia attacks etc. This is a place to be yourself, make friends, get involved in the rooms and have some cyber company! 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If you have a Vuze, know that there will be more updates that unlock additional capabilities soon.įor more on shooting with the Vuze VR camera, and for a primer on how to share your content, head here. Given how rapidly it’s updating HumanEyes Studio, it’s clear that this isn’t just lip service. For as important as the hardware is, the company has been clear that the software is probably more important. However, HumanEyes is constantly updating its software and firmware. Using the Vuze XR is both 2D and 3D is a cinch, though its a little too easy to depress the stop/go button while holding it. These are enormous omissions (although you can do some of that work in other software like Adobe Premiere Pro after you edit in HumanEyes Studio). For example, you can’t stitch multiple clips together, and you can’t add titles. MiscellanyĪs we noted in a separate article about using the Vuze VR camera, for as powerful yet easy to use as HumanEyes Studio is, it does lack a few key features. To do so, click Save and then choose a name and location. You may also want to Save the project so you can do more editing later. There’s a progress bar at the bottom of the screen (pic #23) that tells you how things are progressing. When you’re happy with your choices, click Render and wait. (We know, we know, the jokes write themselves…) In the end, though, we were unable to do much to fix my face in this clip with Refine Stitching. You can also remove a given frame or add it back in. It is helpful, though, that the number of the camera(s) that corresponds to the number in the menu is above the preview pane. Thus, the process involves a lot of guessing and trial and error. (And in some case, it may be impossible to do much to fix it.) Even though you can see a preview of your work, and you can adjust all of it with sliders, you don’t see the result of the sliding until you let go of the button. See how my face is chopped in half because of the terrible stitching? This is the kind of thing you’ll obviously want to try to fix in your clips. Obviously, a particularly ugly stitch can destroy a viewer’s immersion as fast and definitively as anything. Dealing with stitching is one of the chief problems facing immersive video makers. There are eight cameras in total on the Vuze, and the parts where they overlap are called stitching lines. These are located, appropriately enough, in the Advanced section. There are some additional features, though, that are more advanced-some of them are still in beta, too-and require a great deal more time and experimentation. The UX is a just a bit clunky at times, but by and large it’s quite intuitive, and the features you need are easy to find-nothing is buried under multiple menu layers. It’s unfortunate because this remains my favorite design due to the LCD live display that also allows one to adjust all setting directly on the camera.It’s hard to overstate just how easy and quick all of the above is. It will need to get updated with better sensors and, an interchangeable battery ! But at this point, this looks all very unlikely. The next problem is that, given the competition that has entered this field, Yi can’t just bring out the same camera they showed in 2018. They have absolutely no new products relating to real photography (not to mention VR or 3D) and their pages on such products are not updated. But the truth is that if you take a look at Yi’s recent productions, they are entirely focused on home security and car security cameras. We are all trying to be optimistic and hopeful that Yi will finally release the Horizon. My next comment is in regards the Yi Horizon. So, are they certified or not ? I don’t think the EVO is VR180-certified either.Īt any rate, one good reason to use the terminology “3D 180” instead of VR180 is that most people hearing VR180 actually don’t realize that it’s actually 3D and I think every opportunity should be taken to make it plainly clear that this is 3D. Mind you I did notice Vuze mention something about VR180. In fact, I get the impression that most of the companies introducing cameras with a 3D 180 mode are not that interested in submitting to Google’s vision of it. To the best of my knowledge, none of these cameras except for the Mirage are VR180-certified. Next some comments: I noticed that at the 12-minute mark you refer to 3D 180 as “VR180”. Because every side of the Vuze is the same, and it shoots in 360 degrees, there’s no real center per se. My next question is: What is that thing that only the XR does ? Were you referring to the exposure blending ? Have the sample clips not been uploaded yet ? In other words, there is no link in the location where you point and I checked your recent clip posts and none of them are the samples. The first question of course is about those sample clips that you “point to” in the video. |
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